John Bellairs the Figure in the Shadows Read Online
| John Bellairs | |
|---|---|
| | |
| Born | John Anthony Bellairs (1938-01-17)January 17, 1938 Marshall, Michigan, U.S. |
| Died | March viii, 1991(1991-03-08) (anile 53) Haverhill, Massachusetts, US |
| Occupation | Novelist |
| Pedagogy | University of Notre Dame (BA) University of Chicago (MA) |
| Menstruum | 1966–1991 |
| Genre | Fantasy, horror, humour |
| Notable works | The House with a Clock in Its Walls, The Face in the Frost |
John Anthony Bellairs (January 17, 1938 – March 8, 1991)[one] was an American author best known for his fantasy novel The Face in the Frost and many Gothic mystery novels for children featuring the characters Lewis Barnavelt, Rose Rita Pottinger, Johnny Dixon, and Anthony Monday. Most of his books were illustrated by Edward Gorey.[2] Thirteen unfinished and original sequels to Bellairs' books have been written by Brad Strickland.[three] At the fourth dimension of his death, Bellairs' books had sold a quarter-million copies in difficult cover and more than a meg and a half copies in paperback.[4]
Biography [edit]
Front view of the Cronin House in Marshall, Michigan, which inspired The Firm with a Clock in Its Walls
Early life and didactics [edit]
Bellairs was born in Marshall, Michigan, the son of Virginia (Monk) and Frank Edward Bellairs, a saloonkeeper.[5] His hometown inspired the fictional town of New Zebedee, where he ready his trilogy most Lewis Barnavelt and Rose Rita Pottinger.[six] Shy, overweight, and often bullied as a kid, he became a voracious reader and a self-described "bottomless pit of useless information" past the fourth dimension he graduated from Marshall High School[7] and entered the Academy of Notre Dame in 1955. He competed in the College Bowl and wrote a regular humor column for the student magazine Scholastic.[8]
Bellairs received a Bachelor of Arts caste in English language magna cum laude from the University of Notre Dame in 1959[9] and a Chief of Arts degree in English from the Academy of Chicago in 1960. He received a Woodrow Wilson Fellowship in 1959.[ten]
Career and interests [edit]
Bellairs taught English at the College of Saint Teresa (1963–65), Shimer College (1966–67), Emmanuel College (1968–69), and Merrimack College (1969–71) earlier turning full-time to writing in 1971. In the late 1960s, he spent six months living and writing in Bristol, UK, where he began writing The Face in the Frost. Bristol would later feature in his novel The Surreptitious of the Underground Room. His personal interests included archæology, architecture, history, Latin, baseball, kitschy antiques, bad poetry, visits to the Britain, and trivia of all kinds.[1] His favorite authors included Charles Dickens, Henry James, Chiliad.R. James, Garrett Mattingly, and C.V. Wedgwood.[iii]
Aslope Christopher Tolkien, Bellairs was a guest of honor at the 18th Annual Mythopoeic Conference at Marquette Academy in 1987, hosted past the Mythopoeic Society.[xi]
Death and legacy [edit]
Bellairs died suddenly of cardiovascular illness at his home in Haverhill, Massachusetts, in 1991. He was 53 years old. He was survived by his wife, Priscilla (Braids) Bellairs, whom he had married on June 24, 1968, and their son Frank J. Bellairs.[ane] Frank Bellairs died in 1999 at the age of 29. Priscilla Bellairs is alive and lives in Newburyport.[12]
In 1992, a historical marking was placed in forepart of the historic Cronin Business firm in Bellairs's hometown of Marshall, Michigan.[13] Congenital in 1870 for local merchant Jeremiah Cronin, this imposing Italianate mansion with its 60-foot belfry had inspired the titular house of his 1973 book.[7]
Bellairs was inducted into the Haverhill Citizens Hall of Fame in 2000.[three]
Writings [edit]
Books for adults [edit]
Bellairs' first published piece of work, St. Fidgeta and Other Parodies (1966), is a collection of short stories satirizing the rites and rituals of Second Vatican Council-era Catholicism. The championship story of St. Fidgeta grew out of humorous stories Bellairs fabricated up and shared with friends while living in Chicago. After committing one such story to newspaper, he sent it to the Chicago-based Catholic magazine The Critic, which published the story in summer 1965. The following year, the hagiography of St. Fidgeta was supplemented by eleven other humorous stories, including an essay on lesser-known popes of antiquity, a cathedral constructed over the course of centuries, and a spoof letter from a modern-mean solar day Xavier Rynne near the escapades at the fictional Third Vatican Quango. Library Periodical hailed St. Fidgeta as "religious burlesque" that delivered "strokes of inspired foolishness." A writer for the National Catholic Reporter chosen information technology a "gem."[14]
The Pedant and the Shuffly, his second book, is a curt illustrated fable featuring the evil magician Snodrog (the titular pedant), who ensnares his victims with inescapable (and nonsensical) logic until the kindly sorcerer, Sir Bertram Crabtree-Gore, enlists the help of a magical Shuffly to defeat Snodrog. The volume was originally published in 1968 and rereleased in 2001[xv] and 2009.[16]
Bellairs undertook his 3rd volume, The Face up in the Frost (1969), while living in Britain and after reading J.R.R. Tolkien'south The Lord of the Rings. Bellairs said of his third volume:
"The Face up in the Frost was an attempt to write in the Tolkien manner. I was much taken by The Lord of the Rings and wanted to do a modest work on those lines. In reading the latter book I was struck by the fact that Gandalf was not much of a person—simply a good guy. So I gave Prospero, my wizard, most of my phobias and crotchets. It was simply meant as entertainment and whatever profundity volition take to be read in."[17]
Writing in 1973, Lin Carter described The Face in the Frost equally 1 of the three best fantasy novels to appear since The Lord of the Rings. Carter stated that Bellairs was planning a sequel to The Face in the Frost at the fourth dimension.[18] An unfinished sequel titled The Dolphin Cross was included in the anthology Magic Mirrors (New England Science Fiction Association Press, 2009).[16]
Books for children [edit]
Bellairs's next novel, The House with a Clock in Its Walls (1973), was originally written every bit a contemporary adult fantasy. To improve the novel'due south marketability, his publisher suggested rewriting it every bit a young readers' book. The upshot was The House with a Clock in Its Walls, which was named as one of The New York Times Outstanding Books of 1973 and nominated for other awards.[19]
Following the success of The House with a Clock in Its Walls, Bellairs focused on writing Gothic fantasy adventures aimed at elementary and middle-school children.[20] "I write scary thrillers for kids because I have the imagination of a 10-year-quondam," remarked Bellairs. "I love haunted houses, ghosts, witches, mummies, incantations, surreptitious rituals performed by the light of the waning moon, coffins, bones, cemeteries and enchanted objects."[4] Bellairs also wrote his hometown influenced his artistic bent: "In my imagination I repeatedly walk up and downwardly the streets of the beautiful old Michigan town where I grew up. It's full of old Victorian mansions and history, and it would work on the artistic mind of whatever child."[7]
Writing for The New York Times, Marilyn Stasio characterized Bellairs' children'south books as fast-paced, spooky adventures involving "believable and likeable" characters, by and large a child and an older person (commonly a "lovable eccentric")[21] who are friends and must continue adventures and solve a mystery involving supernatural elements such equally ghosts and wicked sorcerers. Beyond these supernatural elements, Bellairs's novels evoked "a kid's concern with comfort and security in his existent globe," addressing childhood fears of abandonment, loneliness, and bullying, likewise every bit coming of age.[4] His stories are described as spooky just ultimately reassuring as the characters conquer evil through friendship.[21]
The books have proved especially popular among middle-grade readers between the ages of nine and 13 but also have significant immature adult and developed readerships.[iv]
Posthumous sequels [edit]
On his death in 1991, Bellairs left behind two unfinished manuscripts and two one-page synopses for future adventures. The Bellairs estate commissioned Brad Strickland to complete the 2 unfinished manuscripts and to write novels based on the 2 one-page outlines. These became The Ghost in the Mirror; The Vengeance of the Witch-finder; The Drum, the Doll, and the Zombie; and The Doom of the Haunted Opera, respectively. Starting in 1996 with The Hand of the Necromancer, Strickland began writing his own stories based on the established characters.[3]
Strickland announced in leap 2005 that new adventures of the Bellairs characters were nether way, following contract negotiations with the Bellairs estate and a ii-twelvemonth absence since his last-published novel. The starting time of these new adventures was The House Where Nobody Lived, which was published on October v, 2006.[iii]
Critical analysis [edit]
Disquisitional attention has focused on The Business firm With the Clock in Its Walls every bit exemplar of Bellairs' literary merit and style. Critics argued that Bellairs wrestled with notions of masculinity, femininity, and queerness in his works.[xix] [22] [23] One scholar contended that Bellairs' Lewis Barnavelt and Rose Rita Pottinger trilogy traced the "emerging acceptance of self" past the two main characters, who struggled with internalized gender norms.[24] One of the virtually substantial bookish treatments of Bellairs comes from Dawn Heinecken, professor of women's and gender studies at the University of Louisville. Heinecken situates Bellairs in 1970s-era anxieties about gender and changing discourses effectually masculinity, which were reflected in the era's children's literature.[19]
Conservative critic William Kilpatrick observed of Bellairs that "While his books are quite frightening, they are well written and undergirded by a moral vision" and recommended them to parents who wish to expose their children to age-appropriate literature that both entertains and edifies.[25] Randi Dickson suggested that Bellairs' oeuvre evidenced greater literary merit than the works of R. L. Stine, whose horror fiction appeals to a youthful demographic similar to Bellairs'.[26] Educators take used The House With the Clock in Its Walls as a case written report for using storytelling techniques to describe in reluctant readers[27] or assigning The Curse of the Blue Figurine to students in a book social club.[28] I critic noted that Bellairs relied on tropes of magical realism.[29]
Bellairs' books take been translated into Czech, French, German, Japanese, Polish, and Spanish, among other languages.
Illustrators [edit]
Edward Gorey provided cover illustrations and frontispieces for all but three of Bellairs'southward fifteen children's novels and connected to illustrate the Strickland novels until Gorey's decease in 2000. The novel The Animal Nether the Wizard's Bridge featured Gorey's last published artwork before his expiry.[xxx] Despite the stiff association of the novels with Gorey'southward illustrations, Bellairs and Gorey never met and probably never even corresponded.[two] The Gorey covers are no longer in print, though some newer editions of the novels all the same contain interior Gorey illustrations.
S. D. Schindler and Bart Goldman accept created cover art for the Strickland books published since 2001.
Marilyn Fitschen provided the covers and illustrations for Bellairs' first three books: St Fidgeta and Other Parodies, The Pedant and the Shuffly, and The Confront in the Frost.
Awards [edit]
| # | Book Title | Award | Year |
|---|---|---|---|
| 01 | The House with a Clock in Its Walls | American Library Association Children's Books of International Interest Award | 1973 |
| 02 | The House with a Clock in Its Walls | New York Times Outstanding Books of 1973 Award | 1973 |
| 03 | The Firm with a Clock in Its Walls | S Carolina Children'south Book Honour Nominee | 1978–1979 |
| 04 | The House with a Clock in Its Walls | Michigan Young Readers Honour Nominee | 1980 |
| 05 | The House with a Clock in Its Walls | Maude Hart Lovelace Accolade Nominee (Minnesota) | 1982 |
| 06 | The Letter, the Witch, and the Ring | Southward Carolina Children's Volume Award Nominee | 1979–1980 |
| 07 | The Letter, the Witch, and the Ring | Utah Children'south Fiction Book Award | 1981 |
| 08 | The Treasure of Alpheus Winterborn | Maud Hart Lovelace Laurels Nominee (Minnesota) | 1983 |
| 09 | The Curse of the Blue Figurine | Utah Children's Fiction Book Honour Nominee | 1985 |
| 10 | The Curse of the Blueish Figurine | Indian Paintbrush Book Honor Nominee (Wyoming) | 1986 |
| 11 | The Expletive of the Blueish Figurine | Virginia Young Readers Honour, Middle School Partition | 1986–1987 |
| 12 | The Curse of the Blue Figurine | Read-Aloud Books As well Skillful to Miss Listing (Indiana Library Federation) | 1990–1991 |
| thirteen | The Mummy, the Will, and the Crypt | Iowa Teen Honor Nominee | 1985–1986 |
| 14 | The Dark Underground of Weatherend | Utah Children's Fiction Volume Honor Nominee | 1987 |
| 15 | The Eyes of the Killer Robot | Rebecca Caudill Immature Readers Book Accolade Nominee (Illinois) | 1991 |
| sixteen | The Lamp from the Warlock's Tomb | Edgar Allan Poe Award, All-time Juvenile Sectionalisation, Nominee | 1989 |
| 17 | The Specter from the Magician's Museum | Georgia Author of the Year Laurels, Young Developed Partitioning | 1998 |
| xviii | The Specter from the Magician'southward Museum | New York Public Library "All-time Books for the Teen Age" Awards |
Published books [edit]
Novels [edit]
| # | Title | Month | Year | Series | Capacity | Pages | Author | Illustrator |
|---|---|---|---|---|---|---|---|---|
| 01 | St. Fidgeta and Other Parodies | Jun | 1966 | 12 | 123 | John Bellairs | Marilyn Fitschen | |
| 02 | The Pedant and the Shuffly | Feb | 1968 | NA | 79 | John Bellairs | Marilyn Fitschen | |
| 03 | The Face in the Frost | 1969 | 11 | 174 | John Bellairs | Marilyn Fitschen | ||
| 04 | The House with a Clock in Its Walls | January | 1973 | Lewis Barnavelt | 11 | 179 | John Bellairs | Edward Gorey |
| 05 | The Figure in the Shadows | 1975 | Lewis Barnavelt | 13 | 155 | John Bellairs | Mercer Mayer | |
| 06 | The Letter, the Witch, and the Band | Jan | 1976 | Lewis Barnavelt | 13 | 188 | John Bellairs | Richard Egielski |
| 07 | The Treasure of Alpheus Winterborn | May | 1978 | Anthony Monday | 17 | 180 | John Bellairs | Judith Gwyn Brown |
| 08 | The Curse of the Blue Figurine | May | 1983 | Johnny Dixon | 12 | 200 | John Bellairs | Edward Gorey |
| 09 | The Mummy, the Will, and the Crypt | Nov | 1983 | Johnny Dixon | 16 | 168 | John Bellairs | Edward Gorey |
| x | The Dark Cloak-and-dagger of Weatherend | Jul | 1984 | Anthony Monday | 15 | 182 | John Bellairs | Edward Gorey |
| 11 | The Spell of the Sorcerer'southward Skull | Nov | 1984 | Johnny Dixon | 11 | 170 | John Bellairs | Edward Gorey |
| 12 | The Revenge of the Wizard's Ghost | Nov | 1985 | Johnny Dixon | 15 | 147 | John Bellairs | Edward Gorey |
| xiii | The Eyes of the Killer Robot | Oct | 1986 | Johnny Dixon | 17 | 167 | John Bellairs | Edward Gorey |
| 14 | The Lamp from the Warlock's Tomb | May | 1988 | Anthony Monday | xiv | 168 | John Bellairs | Edward Gorey |
| 15 | The Trolley to Yesterday | Jul | 1989 | Johnny Dixon | eighteen | 183 | John Bellairs | Edward Gorey |
| 16 | The Chessmen of Doom | Nov | 1989 | Johnny Dixon | 16 | 155 | John Bellairs | Edward Gorey |
| 17 | The Hole-and-corner of the Underground Room | Mar | 1990 | Johnny Dixon | 13 | 127 | John Bellairs | Edward Gorey |
| 18 | The Mansion in the Mist | Aug | 1992 | Anthony Monday | 17 | 170 | John Bellairs | Edward Gorey |
| nineteen | The Ghost in the Mirror | Apr | 1993 | Lewis Barnavelt | 13 | 169 | coauthors | Edward Gorey |
| 20 | The Vengeance of the Witch-finder | Sep | 1993 | Lewis Barnavelt | 15 | 153 | coauthors | Edward Gorey |
| 21 | The Pulsate, the Doll, and the Zombie | Sep | 1994 | Johnny Dixon | xv | 153 | coauthors | Edward Gorey |
| 22 | The Doom of the Haunted Opera | Sep | 1995 | Lewis Barnavelt | sixteen | 153 | coauthors | Edward Gorey |
| 23 | The Hand of the Necromancer | Sep | 1996 | Johnny Dixon | 18 | 168 | Brad Strickland | Edward Gorey |
| 24 | The Bong, the Book, and the Spellbinder | Oct | 1997 | Johnny Dixon | 16 | 149 | Brad Strickland | Edward Gorey |
| 25 | The Specter from the Magician'due south Museum | Mar | 1998 | Lewis Barnavelt | 16 | 149 | Brad Strickland | Edward Gorey |
| 26 | The Wrath of the Grinning Ghost | Sep | 1999 | Johnny Dixon | xv | 166 | Brad Strickland | Edward Gorey |
| 27 | The Beast Under the Wizard'south Span | Sep | 2000 | Lewis Barnavelt | fifteen | 151 | Brad Strickland | Edward Gorey |
| 28 | The Tower at the End of the Globe | Sep | 2001 | Lewis Barnavelt | fifteen | 146 | Brad Strickland | S. D. Schindler |
| 29 | The Whistle, the Grave, and the Ghost | Aug | 2003 | Lewis Barnavelt | xiv | 152 | Brad Strickland | South. D. Schindler |
| thirty | The House Where Nobody Lived | Oct | 2006 | Lewis Barnavelt | xviii | 173 | Brad Strickland | Bart Goldman |
| 31 | The Sign of the Sinister Magician | October | 2008 | Lewis Barnavelt | 13 | 168 | Brad Strickland | Bart Goldman |
-
Some Lewis Barnavelt and Johnny Dixon books were outlined by Bellairs and completed by Strickland, who subsequently created new stories in both series.
Publishers [edit]
| # | Title | Amber | Artist House | Runted Skylark/BDD | Barnes & Noble | Corgi | Dell Yearling/BDD | Punch/Penguin | Editions du Rocher | Editora Record | Gallimard Jeunesse | Harcourt Brace Jovanovich | Heyne | Macmillan | Mythopoeic Printing | NESFA Press | Puffin/Penguin | Shueisha Publishing |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 01 | St. Fidgeta and Other Parodies | | ||||||||||||||||
| 02 | The Pedant and the Shuffly | | | |||||||||||||||
| 03 | The Face in the Frost | | ||||||||||||||||
| 04 | The House with a Clock in Its Walls | | | | | | | | | | ||||||||
| 05 | The Effigy in the Shadows | | | | | | | | | | ||||||||
| 06 | The Letter, the Witch, and the Band | | | | | | | | | | ||||||||
| 07 | The Treasure of Alpheus Winterborn | | | |||||||||||||||
| 08 | The Curse of the Blue Figurine | | | | | | | |||||||||||
| 09 | The Mummy, the Volition, and the Crypt | | | | | | | | ||||||||||
| x | The Dark Hush-hush of Weatherend | | | | ||||||||||||||
| xi | The Spell of the Sorcerer'southward Skull | | | | | | | | ||||||||||
| 12 | The Revenge of the Wizard's Ghost | | | | | | ||||||||||||
| 13 | The Eyes of the Killer Robot | | | | | |||||||||||||
| 14 | The Lamp from the Warlock's Tomb | | | | ||||||||||||||
| 15 | The Trolley to Yesterday | | | | | |||||||||||||
| 16 | The Chessmen of Doom | | | | ||||||||||||||
| 17 | The Hole-and-corner of the Underground Room | | | | ||||||||||||||
| 18 | The Mansion in the Mist | | | |||||||||||||||
| nineteen | The Ghost in the Mirror | | | | | | | |||||||||||
| twenty | The Vengeance of the Witch-finder | | | | | | | |||||||||||
| 21 | The Drum, the Doll, and the Zombie | | | | ||||||||||||||
| 22 | The Doom of the Haunted Opera | | | | | | | |||||||||||
| 23 | The Hand of the Necromancer | | | |||||||||||||||
| 24 | The Bell, the Book, and the Spellbinder | | | |||||||||||||||
| 25 | The Specter from the Wizard'due south Museum | | | | | | | |||||||||||
| 26 | The Wrath of the Grinning Ghost | | | |||||||||||||||
| 27 | The Animal Nether the Sorcerer's Bridge | | | | | | | |||||||||||
| 28 | The Belfry at the End of the World | | | | ||||||||||||||
| 29 | The Whistle, the Grave, and the Ghost | | ||||||||||||||||
| thirty | The House Where Nobody Lived | | ||||||||||||||||
| 31 | The Sign of the Sinister Magician | | ||||||||||||||||
| 32 | Magic Mirrors | | ||||||||||||||||
| 33 | The All-time of John Bellairs | | ||||||||||||||||
| 34 | The Best of John Bellairs 2 | |
Adaptations [edit]
Films [edit]
On November eighteen, 2011, Mythology Entertainment, founded by Brad Fischer,[31] co-president of production at Phoenix Pictures; Laeta Kalogridis; and James Vanderbilt announced that they hired Eric Kripke, creator of Supernatural and Revolution, to write and produce a characteristic moving-picture show based on John Bellairs' work through a partnership with John's estate. "Jamie, Laeta and I are thrilled to launch Mythology Entertainment and to be partnering with Eric Kripke and the estate of John Bellairs for our first feature project," Fischer said.
"Equally a kid, Eric was inspired by Bellairs' work and these books accept stayed with him through the years…. Equally a company, we aspire to be a haven for artists and friends who believe in the ability of myth and retrieve that feeling nosotros all got as kids, when the lights went downward and the images came up and anything was possible."[32]
The film adaptation of Bellairs' novel The House with a Clock in Its Walls stars Jack Black as Uncle Jonathan, Cate Blanchett as Mrs. Zimmerman, and Owen Vaccaro as Lewis Barnavelt, and was directed by Eli Roth. It was released on September 21, 2018.[33]
Audiobooks [edit]
| # | Championship | Yr | Publisher | Narrator |
|---|---|---|---|---|
| 01 | The Face in the Frost | 1995 | Recorded Books | George Guidall |
| 02 | The Ghost in the Mirror | 1995 | Recorded Books | George Guidall |
| 03 | The Business firm with a Clock in Its Walls | 1995 | Recorded Books | George Guidall |
| 04 | The Lamp from the Warlock'south Tomb | 1995 | Recorded Books | Betty Low |
| 05 | The Mansion in the Mist | 1995 | Recorded Books | Betty Low |
Tv [edit]
| # | TV programme title | Volume title | Producer | Twelvemonth |
|---|---|---|---|---|
| 01 | Once Upon a Midnight Scary | The House with a Clock in Its Walls | VideoGems | 1979 |
| 02 | The Inkling According to Sherlock Holmes | The Treasure of Alpheus Winterborn | VideoGems | 1980 |
| 03 | The House with a Clock in Its Walls | The House with a Clock in Its Walls | Barr Films | 1991 |
| 04 | The Treasure of Alpheus Winterborn | The Treasure of Alpheus Winterborn | Barr Films | 1991 |
See also [edit]
- Lewis Barnavelt (series)
- Johnny Dixon (series)
- Anthony Monday (series)
- List of horror fiction authors
References [edit]
- ^ a b c Olendorf, Donna (1992). Something About the Author. Detroit: Gale Enquiry. pp. 23–25. ISBN978-0-8103-2278-3 – via Internet Archive.
- ^ a b Domino, Matt (May 12, 2017). "Why the Link Between Edward Gorey and John Bellairs Remains Unbreakable". The Millions . Retrieved Baronial 29, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ a b c d e "John Bellairs". lookingglassreview.com . Retrieved August 29, 2021.
- ^ a b c d Stasio, Marilyn (June 9, 1991). "CHILDREN'S BOOKS; Nether the Spell Of Scary Stuff". The New York Times. ISSN 0362-4331. Retrieved September 5, 2021.
- ^ Reginald, R. (September 2010). Scientific discipline Fiction and Fantasy Literature Vol ii. ISBN9780941028776.
- ^ MacNee, Marie J. (1995). Science Fiction, Fantasy, and Horror Writers. Vol. 1. New York: Gale Enquiry. pp. 49–52. ISBN0810398664.
- ^ a b c Hall, Kalea (September 18, 2018). "The Business firm that Inspired 'House with a Clock in Its Walls' Comes to Life in Fourth dimension for Picture". Battle Creek Enquirer . Retrieved September 9, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ Dunne, Patrick (2011). "John Bellairs: Author of the Imaginary". Notre Dame Magazine . Retrieved September 5, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ "John A. Bellairs, 53, A Children'south Author". The New York Times. March 14, 1991. ISSN 0362-4331. Retrieved August 29, 2021.
- ^ "Press release" (PDF). Academy of Notre Dame. March 15, 1959. Retrieved Baronial 28, 2021.
{{cite spider web}}: CS1 maint: url-condition (link) - ^ Hyde, Paul (Oct 15, 1986). "Quenti Lambardillion". Mythlore: A Journal of J.R.R. Tolkien, C.Due south. Lewis, Charles Williams, and Mythopoeic Literature. 13 (1): 33. ISSN 0146-9339.
- ^ Shea, Jack (April 18, 2018). "Newburyport woman gets glimpse at film on late husband's book". The Daily News of Newburyport . Retrieved Baronial 29, 2021.
{{cite web}}: CS1 maint: url-condition (link) - ^ Hahn, Daniel (2015). The Oxford Companion to Children's Literature (2nd ed.). Oxford Academy Press. p. 62. ISBN978-0-19-174437-2. OCLC 921452204.
- ^ Washburn, Susanne (Oct 29, 2004). "The marvelous St. Fidgeta: Tales of a 7-year-former martyr are a precious stone of religious burlesque". National Catholic Reporter: xvi–17.
- ^ "The Mythopoeic Society - Mythopoeic Printing, The Pedant and the Shuffly". www.mythsoc.org . Retrieved August 31, 2021.
- ^ a b "Magic Mirrors – NESFA". Retrieved August 31, 2021.
- ^ Commire, Anne (1971). Something Almost the Author. Vol. two. Detroit: Gale Inquiry. p. 20. ISBN978-0-8103-0052-1 – via Internet Annal.
- ^ Lin Carter, Imaginary Worlds. New York: Ballantine/Random House, 1973, pp. 1165-67 (Cites Carter'southward correspondence with Bellairs).
- ^ a b c Heinecken, Dawn (2011). "Haunting Masculinity and Frightening Femininity: The Novels of John Bellairs". Children's Literature in Education. 42 (2): 118–131. doi:10.1007/s10583-010-9127-7. ISSN 1573-1693. S2CID 144558619.
- ^ Hedblad, Alan, ed. (1996). "John Bellairs". Children's Literature Review. New York: Gale Research. pp. one–29. ISBN0810389517. ISSN 0362-4145 – via Internet Archive.
- ^ a b Gardner, Craig Shaw (November 11, 1984). "Reading on the Edge of Your Seat". The Washington Post . Retrieved September 8, 2021.
- ^ Huskey, Melynda. "A Specter is Haunting New Zebedee: Reading John Bellairs as Queer-Child Gothic" (PDF) . Retrieved September 5, 2021.
{{cite web}}: CS1 maint: url-status (link) - ^ Skowera, Maciej (July 24, 2019). "Lewis Barnavelt and the Rainbow over New Zebedee: Queering The Business firm with a Clock in Its Walls". Dzieciństwo. Literatura i Kultura. 1 (1): 85–108. doi:10.32798/dlk.29. ISSN 2657-9510.
- ^ Schmidt, Gary D. (March i, 1987). "Run across how they abound: Character development in children's series books". Children's Literature in Educational activity. 18 (1): 34–44. doi:10.1007/BF01135437. ISSN 1573-1693. S2CID 143265245.
- ^ Kilpatrick, William (1994). Books that build character: A guide to teaching your child moral values through stories. New York: Simon & Schuster. p. 217. ISBN978-0-671-88423-9. OCLC 937954417.
- ^ Dickson, Randi (1998). "Horror: To Appease, Not Edify". Language Arts. 76 (ii): 115–122. ISSN 0360-9170. JSTOR 41484083.
- ^ Raymond, Kettel (1994). "Motivating the Reluctant Reader: Using the Storytelling Episode Model". Storytelling World. 3 (1): 31–33 – via ERIC.
- ^ Lewis, Mark A.; Zisselsberger, Margarita Gómez (2019). "Scaffolding and Caitiff Participation in Linguistically Diverse Volume Clubs". Reading Enquiry Quarterly. 54 (two): 167–186. doi:10.1002/rrq.234. ISSN 1936-2722. S2CID 149462377.
- ^ Laily, Vany Rizkita (2020). "NARRATIVE OF MAGIC REALISM IN THE JOHN BELLAIRS' NOVEL: THE HOUSE WITH THE CLOCK IN ITS WALLS". ANAPHORA: Periodical of Language, Literary and Cultural Studies. 3 (2): 88–101. doi:10.30996/anaphora.v3i2.4621. ISSN 2656-3967.
- ^ "Goreyography: West Fly: Seeking Gorey: Available from Amazon.com". world wide web.goreyography.com . Retrieved November 2, 2020.
- ^ "Brad Fischer – Co-President, Production". September ten, 2009. Archived from the original on March 17, 2012. Retrieved June 17, 2012.
- ^ Mike Fleming (November 18, 2011). "Phoenix Co-President Bradley Fischer Forms Mythology With Scribes Laeta Kalogridis And James Vanderbilt". Deadline New York. Retrieved June 17, 2012.
- ^ Lizzie Plaugic (March 27, 2018). "Watch the start trailer for The Business firm with a Clock in its Walls". The Verge . Retrieved March 27, 2018.
External links [edit]
- Bellairsia | blog | forum – celebrating John Bellairs
- John Bellairs at Find a Grave
- John Bellairs at the Cyberspace Speculative Fiction Database
- John Bellairs at Library of Congress Government, with 42 catalog records
- John Bellairs Papers at the University of Minnesota Libraries
Source: https://en.wikipedia.org/wiki/John_Bellairs
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